Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

2017-06-22

A Photobook Catalog

"Hi, I'm John."

"Hi John."

"I buy books about photography, books of photography and books on Critical Theory and Philosophy. Yes, I'm the first to admit it: I'm a book-aholic."

In  Calgary, when it's -20C and it's snowing and the wind is blowing, photography shuts down for the season; unless you're got a layer of blubber or are a coyote. There's not a lot else to do but hunker down in the digital darkroom or curl up with the books you've acquired over the summer and try and learn a thing or two. 

I use Zotero to keep track of books I've read, notes I've made and any idea fragments that may have stirred in the deep dark reaches of my mind. It's a great application and I also use it to keep track of source documents when I'm creating aviation training material for my clients. Neat thing is, you just have to key in the ISBN and it pulls all manner of things of the interwebs like notes, abstracts, tags, yada yada yada. 

I exported my library from Zotero and after some finagling with style sheets, here it is:

  • 20th century photography

    Type Book
    Author Museum Ludwig
    Place Köln; London
    Publisher Taschen
    ISBN 978-3-8228-4083-2
    Date 2005
    Extra OCLC: 57749934
    Library Catalog Open WorldCat
    Language English
    Date Added 8/30/2016, 1:55:47 PM
    Modified 8/30/2016, 2:13:41 PM
  • About looking

    Type Book
    Author John Berger
    Edition 1st Vintage International ed
    Place New York
    Publisher Vintage International
    ISBN 978-0-679-73655-4
    Date 1991
    Call Number N71 .B398 1991
    Library Catalog Library of Congress ISBN
    # of Pages 205
    Date Added 8/25/2016, 2:42:18 PM
    Modified 8/25/2016, 2:42:18 PM

    Tags:

    • Art
    • Meaning (Psychology)
    • Psychology
    • Visual perception

    Notes:

    • Originally published: New York : Pantheon Books, 1980
  • André Kertész: Paris, Autumn 1963

    Type Book
    Author André Kertész
    Author Matthieu Rivallin
    Author David Radzinowicz
    Author André Kertész
    ISBN 978-2-08-020155-3
    Date 2013
    Extra OCLC: 832277981
    Library Catalog Open WorldCat
    Language English
    Abstract "In October 1963, photographer André Kertész returned to Paris, almost thirty years after his emigration to the United States, for a retrospective of his work held at the Biblioth̀eque Nationale. Over a period of two and a half months, he devoted his days to photographing the ephemeral autumnal beauty of Paris--from Montmartre, Notre-Dame, and the Jardins du Luxembourg, to the Canal Saint-Martin and the banks of the Seine. Through the lens of his Leica camera, he produced more than 1,500 negatives and 313 color slides. From this wealth of images, he selected fifty-nine of his best photographs and crafted them into a ferroprussiate process blueprint for a book. This exceptional body of work remained unpublished during his lifetime but is reproduced here in its complete form for the first time, as the photographer intended."--Jacket.
    Short Title André Kertész
    Date Added 8/30/2016, 1:43:29 PM
    Modified 8/30/2016, 1:43:29 PM
  • Ansel Adams: 400 photographs

    Type Book
    Author Ansel Adams
    Author Andrea Gray Stillman
    ISBN 978-0-316-40079-4
    Date 2013
    Extra OCLC: 857109184
    Library Catalog Open WorldCat
    Language English
    Abstract "Ansel Adams: 400 Photographs presents the full spectrum of Adams' work in a single volume ... The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about Adams' life, document the evolution of his technique, and give voice to his artistic vision."--Amazon.com, viewed November 21, 2013.
    Short Title Ansel Adams
    Date Added 8/25/2016, 5:24:06 PM
    Modified 8/25/2016, 5:24:06 PM
  • Ansel Adams, an autobiography

    Type Book
    Author Ansel Adams
    Author Mary Street Alinder
    Edition 1st ed
    Place Boston
    Publisher Little, Brown
    ISBN 978-0-8212-1596-8
    Date 1985
    Call Number TR140.A3 A33 1985
    Library Catalog Library of Congress ISBN
    # of Pages 400
    Date Added 8/25/2016, 5:20:12 PM
    Modified 8/25/2016, 5:20:12 PM

    Tags:

    • Adams, Ansel
    • Biography
    • Photographers
    • United States
  • Believing is seeing: observations on the mysteries of photography

    Type Book
    Author Errol Morris
    Edition Paperback ed.
    Place New York, NY
    Publisher Penguin Books
    ISBN 978-0-14-312425-2
    Date 2014
    Extra OCLC: 935797880
    Library Catalog Gemeinsamer Bibliotheksverbund ISBN
    Language eng
    Abstract "Academy Award-wining filmmaker Errol Morris investigates the hidden truths behind a series of documentary photographs. In Believing Is Seeing Academy Award-winning director Errol Morris turns his eye to the nature of truth in photography. In his inimitable style, Morris untangles the mysteries behind an eclectic range of documentary photographs, from the ambrotype of three children found clasped in the hands of an unknown soldier at Gettysburg to the indelible portraits of the WPA photography project. Each essay in the book presents the reader with a conundrum and investigates the relationship between photographs and the real world they supposedly record. During the Crimean War, Roger Fenton took two nearly identical photographs of the Valley of the Shadow of Death-one of a road covered with cannonballs, the other of the same road without cannonballs. Susan Sontag later claimed that Fenton posed the first photograph, prompting Morris to return to Crimea to investigate. Can we recover the truth behind Fenton's intentions in a photograph taken 150 years ago? In the midst of the Great Depression and one of the worst droughts on record, FDR's Farm Service Administration sent several photographers, including Arthur Rothstein, Dorothea Lange, and Walker Evans, to document rural poverty. When Rothstein was discovered to have moved the cow skull in his now-iconic photograph, fiscal conservatives-furious over taxpayer money funding an artistic project-claimed the photographs were liberal propaganda. What is the difference between journalistic evidence, fine art, and staged propaganda? During the Israeli-Lebanese war in 2006, no fewer than four different photojournalists took photographs in Beirut of toys lying in the rubble of bombings, provoking accusations of posing and anti-Israeli bias at the news organizations. Why were there so many similar photographs? And were the accusers objecting to the photos themselves or to the conclusions readers drew from them? With his keen sense of irony, skepticism, and humor, Morris reveals in these and many other investigations how photographs can obscure as much as they reveal and how what we see is often determined by our beliefs. Part detective story, part philosophical meditation, Believing Is Seeing is a highly original exploration of photography and perception from one of America's most provocative observers"--Provided by publisher
    Short Title Believing is seeing
    # of Pages 310
    Date Added 8/30/2016, 1:42:43 PM
    Modified 8/30/2016, 1:42:43 PM

    Tags:

    • Documentary photography
    • Dokumentarfotografie
    • Geschichte
    • History
    • Photographic criticism
    • Photography
    • PHOTOGRAPHY / Criticism bisacsh
    • PHOTOGRAPHY / History bisacsh
  • Camera lucida: reflections on photography

    Type Book
    Author Roland Barthes
    Edition Pbk. ed
    Place New York
    Publisher Hill and Wang
    ISBN 978-0-374-53233-8
    Date 2010
    Call Number TR642 .B3713 2010
    Extra OCLC: ocn671819280
    Library Catalog Library of Congress ISBN
    Language eng
    Short Title Camera lucida
    # of Pages 119
    Date Added 8/25/2016, 2:44:00 PM
    Modified 8/25/2016, 2:44:00 PM

    Tags:

    • Philosophy
    • Photography
    • Photography, Artistic
  • Camera work: the complete photographs 1903 -1917

    Type Book
    Author Alfred Stieglitz
    Author Pam Roberts
    Place Köln
    Publisher Taschen
    ISBN 978-3-8365-4407-8
    Date 2013
    Library Catalog Gemeinsamer Bibliotheksverbund ISBN
    Language ger eng fre
    Short Title Camera work
    # of Pages 552
    Date Added 8/25/2016, 5:28:45 PM
    Modified 8/25/2016, 5:28:45 PM

    Tags:

    • Bildband
    • Camera Work
    • Fotografie
    • Geschichte
    • Stieglitz, Alfred
  • Classic essays on photography

    Type Book
    Editor Alan Trachtenberg
    Place New Haven, Conn
    Publisher Leete's Island Books
    ISBN 978-0-918172-07-5 978-0-918172-08-2
    Date 1980
    Call Number TR185 .C56
    Library Catalog Library of Congress ISBN
    # of Pages 300
    Date Added 8/30/2016, 1:44:50 PM
    Modified 8/30/2016, 1:44:50 PM

    Tags:

    • Photography
  • Contact sheets: the selected photos. Volume 1

    Type Book
    Author Giammaria De Gasperis
    Place Rome
    Publisher Postcart
    ISBN 978-88-86795-86-9
    Date 2013
    Extra OCLC: 926386820
    Library Catalog Open WorldCat
    Language English
    Short Title Contact sheets
    Date Added 8/30/2016, 1:33:28 PM
    Modified 8/30/2016, 1:33:47 PM
  • Core curriculum: writings on photography

    Type Book
    Author Tod Papageorge
    Series Aperture ideas : writers and artists on photography
    Edition 1st ed
    Place New York
    Publisher Aperture
    ISBN 978-1-59711-172-0
    Date 2011
    Call Number TR642 .P363 2011
    Extra OCLC: ocn692287442
    Library Catalog Library of Congress ISBN
    Abstract This is a collection of essays, reviews, and lectures - some of which have gained a cult following due to online postings by Tod Papageorge, one of the most influential voices in photography today
    Short Title Core curriculum
    # of Pages 191
    Date Added 8/25/2016, 2:39:13 PM
    Modified 8/25/2016, 2:39:13 PM

    Tags:

    • History
    • Photography
    • Photography, Artistic
  • For the world to see: the life of Margaret Bourke-White

    Type Book
    Author Jonathan Silverman
    Author Margaret Bourke-White
    Series A Studio book
    Place New York
    Publisher Viking Press
    ISBN 978-0-670-32356-2
    Date 1983
    Call Number TR140.B6 S59 1983
    Library Catalog Library of Congress ISBN
    Short Title For the world to see
    # of Pages 224
    Date Added 8/30/2016, 2:02:51 PM
    Modified 8/30/2016, 2:02:51 PM

    Tags:

    • Biography
    • Bourke-White, Margaret
    • Photographers
    • United States
  • Fred Herzog: photographs

    Type Book
    Author Fred Herzog
    Author Douglas Coupland
    Author Jeff Wall
    Author Sarah Milroy
    Author Claudia Gochmann
    Place Vancouver
    Publisher Douglas & McIntyre
    ISBN 978-1-55365-558-9
    Date 2011
    Extra OCLC: 713188025
    Library Catalog Open WorldCat
    Language English
    Abstract Presents a collection of early color and urban street photography by Fred Herzog.
    Short Title Fred Herzog
    Date Added 8/25/2016, 5:23:10 PM
    Modified 8/25/2016, 5:23:10 PM
  • Henri Cartier-Bresson

    Type Book
    Author Jean Clair
    Place Arles
    Publisher Actes Sud
    ISBN 978-2-7427-5366-6
    Date 2004
    Extra OCLC: 469443963
    Library Catalog Open WorldCat
    Language French
    Date Added 8/25/2016, 5:25:27 PM
    Modified 8/25/2016, 5:25:27 PM
  • Henri Cartier-Bresson: a retrospective : the man, the image and the world

    Type Book
    Author Henri Cartier-Bresson
    Author Philippe Arbaïzar
    Place London
    Publisher Thames and Hudson
    ISBN 978-0-500-28642-5
    Date 2006
    Extra OCLC: 488056030
    Library Catalog Open WorldCat
    Language English
    Abstract Fotografisk billedværk.
    Short Title Henri Cartier-Bresson
    Date Added 8/30/2016, 1:53:50 PM
    Modified 8/30/2016, 1:53:50 PM
  • Here far away: photographs from the years 1964-2011

    Type Book
    Author Pentti Sammallahti
    Author John Demos
    Author Mario Peliti
    Author Finn Thrane
    Author Kristoffer Albrecht
    Place Stockport, England
    Publisher Dewi Lewis
    ISBN 978-1-907893-26-1
    Date 2012
    Extra OCLC: 808499289
    Library Catalog Open WorldCat
    Language English
    Abstract "A retrospective work that comprises nearly fifty years of photographic activity and unfolds in almost as many countries"--[Preface].
    Short Title Here far away
    Date Added 8/30/2016, 1:52:55 PM
    Modified 8/30/2016, 1:52:55 PM
  • How to read a photograph: lessons from master photographers

    Type Book
    Author Ian Jeffrey
    Place New York
    Publisher Abrams
    ISBN 978-0-8109-7297-1
    Date 2008
    Call Number TR183 .J44 2008
    Extra OCLC: ocn227919058
    Library Catalog Library of Congress ISBN
    Short Title How to read a photograph
    # of Pages 383
    Date Added 8/25/2016, 5:12:45 PM
    Modified 8/25/2016, 5:12:45 PM

    Tags:

    • Photographers
    • Photography, Artistic
  • Look again!

    Type Book
    Author Anne D'Alleva
    Place Upper Saddle River, NJ
    Publisher Prentice Hall
    ISBN 978-0-13-189404-4
    Date 2005
    Extra OCLC: 54692743
    Library Catalog Open WorldCat
    Language English
    Abstract "This handbook is designed to accompany the major textbooks used in the art history survey, presenting various methods for analysis of art as well as extensive tips on writing about art. Professor Anne D'Alleva created this handbook to accompany the major textbooks used in art history survey courses. Because the main survey texts focus on the artworks themselves, she saw the need for a complementary handbook that introduces students to the methodologies of art history in an open, accessible way. Look! discusses basic art historical practices, such as visual and contextual analysis, and provides guidelines for writing papers and taking examinations in art history. It provides a short history of the discipline and provides links to related academic disciplines to provide students with a sense of intellectual context for their work."--Publisher's website.
    Date Added 8/25/2016, 5:09:58 PM
    Modified 8/25/2016, 5:09:58 PM
  • Magnum contact sheets

    Type Book
    Editor Kristen Lubben
    Editor Magnum Photos
    Edition Compact edition
    Place London
    Publisher Thames & Hudson
    ISBN 978-0-500-54431-0
    Date 2014
    Call Number TR820 .M2553 2014
    Extra OCLC: ocn888462005
    Library Catalog Library of Congress ISBN
    Abstract "This work reveals how Magnum photographers capture and edit the very best shots. Addressing key questions of photographic practice--was the final image set-up, or a serendipitous encounter, [etc.]--this book lays bare the creative methods, strategies, and editing processes behind some of the world's most iconic images."--Front jacket flap
    # of Pages 524
    Date Added 8/30/2016, 2:01:54 PM
    Modified 8/30/2016, 2:01:54 PM

    Tags:

    • Contact printing
    • Documentary photography
    • Magnum Photos
    • Photojournalism
  • Magnum: fifty years at the front line of history

    Type Book
    Author Russell Miller
    Place New York
    Publisher Grove Press
    ISBN 978-0-8021-1631-4 978-0-8021-3653-4
    Date 1998
    Extra OCLC: 38096934
    Library Catalog Open WorldCat
    Language English
    Abstract "The history of Magnum is the story of its photographers - some of the most talented, brave, and resourceful in the world -- including Eve Arnold, Rene Burri, Cornell Capa, Bruce Davidson, Ernst Haas, Mary Ellen Mark, Susan Meiselas, Inge Morath, James Nachtwey, Gilles Peress, Eugene Richards, Sebastiao Salgado, and Dennis Stock. Magnum follows them on assignment -- including encounters with soldiers, bodyguards, and visa troubles -- and into the offices of Magnum, with all the moments of inspiration and inevitable frictions of brilliant and opinionated people working together. Fifty years after its founding, Magnum remains a testament to the vision of its founders, and membership in it is still the most coveted badge of honor and prestige that a photographer can attain. Full of wonderful stories, heroic feats, and human drama, Magnum is a dramatic, sweeping portrait of the worlds greatest photo house and its times."--Jacket.
    Short Title Magnum
    Date Added 8/25/2016, 5:07:25 PM
    Modified 8/25/2016, 5:07:25 PM
  • Margaret Bourke-White: her pictures were her life

    Type Book
    Author Susan Goldman Rubin
    Author Margaret Bourke-White
    Place New York, N.Y
    Publisher Abrams
    ISBN 978-0-8109-4381-0
    Date 1999
    Call Number TR140.B6 R83 1999
    Library Catalog Library of Congress ISBN
    Short Title Margaret Bourke-White
    # of Pages 96
    Date Added 8/25/2016, 5:24:30 PM
    Modified 8/25/2016, 5:24:30 PM

    Tags:

    • Bourke-White, Margaret
    • Photography, Artistic
    • Photojournalists
    • United States
    • Women photographers
  • Moonfire: The Epic Journey of Apollo 11

    Type Book
    Place Cologne, Germany
    Publisher Taschen
    ISBN 978-3-8365-5622-4
    Date 2015
    Library Catalog Library of Congress ISBN
    Short Title Moonfire
    # of Pages 613
    Date Added 5/31/2017, 10:38:53 AM
    Modified 5/31/2017, 10:38:53 AM
  • New Deal photography: USA 1935-1943

    Type Book
    Author Peter Walther
    Contributor USA
    Series Bibliotheca universalis
    Place Cologne
    Publisher TASCHEN
    ISBN 978-3-8365-3711-7
    Date 2016
    Extra OCLC: 932682275
    Library Catalog Gemeinsamer Bibliotheksverbund ISBN
    Language eng ger fre
    Short Title New Deal photography
    # of Pages 605
    Date Added 5/31/2017, 10:38:15 AM
    Modified 5/31/2017, 10:38:15 AM

    Tags:

    • Bildband
    • Fotografie
    • Geschichte 1935-1943
    • USA
  • One night on Broadway

    Type Book
    Author Horst Hamann
    Author Jimmy Breslin
    Author Katja Guttmann
    Place München
    Publisher Schirmer/Mosel
    ISBN 978-3-8296-0127-6
    Date 2004
    Extra OCLC: 56068316
    Library Catalog Open WorldCat
    Language English text with German translation.
    Date Added 8/25/2016, 5:27:14 PM
    Modified 8/25/2016, 5:27:14 PM
  • On photography

    Type Book
    Author Susan Sontag
    Place New York
    Publisher Picador USA
    ISBN 978-0-312-42009-3
    Date 2001
    Extra OCLC: 249608627
    Library Catalog Gemeinsamer Bibliotheksverbund ISBN
    Language eng
    # of Pages 208
    Date Added 8/25/2016, 2:40:05 PM
    Modified 8/25/2016, 2:40:05 PM

    Tags:

    • Photography, Artistic
  • Patrick Litchfield: Perceptions.

    Type Book
    Author Martin Harrison
    Place London, UK
    Publisher Quadrille Publishing
    ISBN 978-1-84400-948-0
    Date 2011
    Extra OCLC: 752160811
    Library Catalog Open WorldCat
    Language English
    Short Title Patrick Litchfield
    Date Added 8/25/2016, 5:38:41 PM
    Modified 8/25/2016, 5:38:41 PM
  • Paul Strand

    Type Book
    Author Paul Strand
    Author Max Haworth-Booth
    Series Aperture masters of photography
    Place New York, NY
    Publisher Aperture
    ISBN 978-0-89381-259-1 978-0-89381-077-1
    Date 1987
    Extra OCLC: 231131898
    Series Number 1
    Library Catalog Gemeinsamer Bibliotheksverbund ISBN
    Language eng
    # of Pages 95
    Date Added 8/25/2016, 5:31:51 PM
    Modified 8/25/2016, 5:31:51 PM
  • Photographically speaking: a deeper look at creating stronger images

    Type Book
    Author David DuChemin
    Place Berkeley, Calif
    Publisher New Riders
    ISBN 978-0-321-75044-0
    Date 2012
    Call Number TR146 .D78 2012
    Extra OCLC: ocn704386200
    Library Catalog Library of Congress ISBN
    Short Title Photographically speaking
    # of Pages 254
    Date Added 8/25/2016, 5:15:14 PM
    Modified 8/25/2016, 5:15:14 PM

    Tags:

    • Composition (Photography)
    • Photography
    • Photography, Artistic
    • Technique
  • Photographs not taken: a collection of photographers' essays

    Type Book
    Editor Will Steacy
    Place Hillsborough, US
    Publisher Daylight Community Arts Foundation
    ISBN 978-0-9832316-1-5
    Date 2012
    Extra OCLC: 934699039
    Library Catalog Gemeinsamer Bibliotheksverbund ISBN
    Language eng
    Short Title Photographs not taken
    # of Pages 133
    Date Added 8/30/2016, 1:37:35 PM
    Modified 8/30/2016, 1:37:35 PM
  • Photography!: a special collection at Leiden University

    Type Book
    Author Maartje van den Heuvel
    Author Wim van Sinderen
    Author Joke Pronk
    Author Donald H. Mader
    Contributor Rijksuniversiteit te Leiden
    Contributor Fotomuseum Den Haag
    Edition 1st ed
    Place Leiden] : [The Hague
    Publisher Leiden University ; Hague Museum of Photography
    ISBN 978-90-8910-191-4
    Date 2010
    Call Number TR646.N42 L454 2010
    Extra OCLC: ocn624618536
    Library Catalog Library of Congress ISBN
    Language eng
    Short Title Photography!
    # of Pages 246
    Date Added 8/25/2016, 5:21:41 PM
    Modified 8/25/2016, 5:21:41 PM

    Tags:

    • Photograph collections
    • Photography, Artistic
    • Rijksuniversiteit te Leiden
  • Photography: the whole story

    Type Book
    Editor Juliet Hacking
    Place Munich : New York
    Publisher Prestel Publishing
    ISBN 978-3-7913-4734-9
    Date 2012
    Call Number TR15 .P493 2012
    Extra OCLC: ocn798061771
    Library Catalog Library of Congress ISBN
    Abstract This ambitious and vibrant publication leads you through the world's most iconic photographs - those innovative images that have become key reference points in our conception of ourselves and the world around us. Organized chronologically, the book traces the evolution of creative photography period by period, while detailed timelines provide historical and cultural context--
    Short Title Photography
    # of Pages 576
    Date Added 8/25/2016, 5:09:02 PM
    Modified 8/30/2016, 2:13:47 PM

    Tags:

    • 19th century
    • 20th century
    • History
    • Photography
  • Photo nomad

    Type Book
    Author David Douglas Duncan
    Place New York
    Publisher Norton
    ISBN 978-0-393-05861-1
    Date 2003
    Call Number TR654 .D86 2003
    Library Catalog Library of Congress ISBN
    # of Pages 464
    Date Added 8/25/2016, 2:41:39 PM
    Modified 8/25/2016, 2:41:39 PM

    Tags:

    • Duncan, David Douglas
    • Photography, Artistic
    • Photojournalism
  • Road to seeing

    Type Book
    Author Dan Winters
    Place San Francisco, CA
    Publisher New Riders
    ISBN 978-0-321-88639-2
    Date 2014
    Call Number TR655 .R625 2014
    Extra OCLC: ocn816028732
    Library Catalog Library of Congress ISBN
    Abstract "After beginning his career as a photojournalist for a daily newspaper in southern California, Dan Winters moved to New York to begin a celebrated career that has since led to more than one hundred awards, including the Alfred Eisenstaedt Award for Magazine Photography. An immensely respected portrait photographer, Dan is well known for an impeccable use of light, color, and depth in his evocative images. In Road to Seeing , Dan shares his journey to becoming a photographer, as well as key moments in his career that have influenced and informed the decisions he has made and the path he has taken. Though this book appeals to the broader photography audience, it speaks primarily to the student of photography -- whether enrolled in school or not -- and addresses such topics as creating a visual language; the history of photography; the portfolio; street photography; personal projects; his portraiture work; and the need for key characteristics such as perseverance, awareness, curiosity, and reverence. By relaying both personal experiences and a kind of philosophy on photography, Road to Seeing tells the reader how one photographer carved a path for himself, and in so doing, helps equip the reader to forge his own"--
    # of Pages 663
    Date Added 8/30/2016, 1:50:28 PM
    Modified 8/30/2016, 1:50:46 PM

    Tags:

    • Photography, Artistic
    • Winters, Dan
  • Robert Doisneau: from craft to art

    Type Book
    Author Robert Doisneau
    Author Agnès Sire
    Author Jean-François Chevrier
    Contributor Fondation Henri Cartier-Bresson
    Edition 1st ed
    Place Göttingen [Germany]
    Publisher Steidl
    ISBN 978-3-86930-025-2
    Date 2010
    Call Number TR647 .D6513 2010
    Extra OCLC: ocn499093779
    Library Catalog Library of Congress ISBN
    Language eng
    Short Title Robert Doisneau
    # of Pages 221
    Date Added 8/30/2016, 1:48:04 PM
    Modified 8/30/2016, 1:48:04 PM

    Tags:

    • Doisneau, Robert
    • Paris (France)
    • Photography, Artistic
  • Seeing is forgetting the name of the thing one sees: over thirty years of conversations with Robert Irwin

    Type Book
    Author Lawrence Weschler
    Contributor Getty Foundation
    Edition Expanded ed
    Place Berkeley
    Publisher University of California Press
    ISBN 978-0-520-25608-8 978-0-520-25609-5
    Date 2008
    Call Number N6537.I64 W4 2008
    Extra OCLC: ocn225871342
    Library Catalog Library of Congress ISBN
    Short Title Seeing is forgetting the name of the thing one sees
    # of Pages 310
    Date Added 8/25/2016, 5:08:33 PM
    Modified 8/25/2016, 5:08:33 PM

    Tags:

    • 20th century
    • Aesthetics
    • Artists
    • Art, Modern
    • Irwin, Robert
    • United States
  • The Aperture magazine anthology: the Minor White years, 1952-1976

    Type Book
    Author Minor White
    Edition 1st ed
    Place New York, N.Y
    Publisher Aperture Foundation
    ISBN 978-1-59711-196-6
    Date 2012
    Call Number TR140.W467 A64 2012
    Library Catalog Library of Congress ISBN
    Short Title The Aperture magazine anthology
    # of Pages 455
    Date Added 8/30/2016, 1:48:35 PM
    Modified 8/30/2016, 1:48:35 PM

    Tags:

    • Aperture (San Francisco, Calif.)
    • Periodical editors
    • Photography
    • White, Minor
  • The book of photography: [the history, the technique, the art, the future]

    Type Book
    Author Anne H. Hoy
    Place Washington, D.C
    Publisher National Geographic
    ISBN 978-0-7922-3693-1
    Date 2005
    Call Number TR146 .H82 2005
    Extra OCLC: ocm60743259
    Library Catalog Library of Congress ISBN
    Short Title The book of photography
    # of Pages 447
    Date Added 8/25/2016, 5:05:52 PM
    Modified 8/25/2016, 5:05:52 PM

    Tags:

    • Photography
  • The future of the image

    Type Book
    Author Jacques Rancière
    Edition Pbk. ed
    Place London ; New York
    Publisher Verso
    ISBN 978-1-84467-297-4
    Date 2009
    Call Number BH151 .R36 2009
    Library Catalog Library of Congress ISBN
    Language eng
    # of Pages 147
    Date Added 6/2/2017, 9:09:10 PM
    Modified 6/2/2017, 9:09:10 PM

    Tags:

    • Aesthetics, Modern
  • The mind's eye: writings on photography and photographers

    Type Book
    Author Henri Cartier-Bresson
    Author Michael L. Sand
    Edition 1st ed
    Place New York, N.Y
    Publisher Aperture
    ISBN 978-0-89381-875-3 978-0-89381-890-6
    Date 1999
    Call Number TR185 .C37 1999
    Library Catalog Library of Congress ISBN
    Short Title The mind's eye
    # of Pages 109
    Date Added 5/31/2017, 10:39:32 AM
    Modified 5/31/2017, 10:39:32 AM

    Tags:

    • Photographers
    • Photographic interpretation
    • Photography
  • The moment it clicks: photography secrets from one of the world's top shooters

    Type Book
    Author Joe McNally
    Series Voices that matter
    Edition 1st ed
    Place Berkeley, CA
    Publisher New Riders
    ISBN 978-0-321-54408-7
    Date 2008
    Call Number TR161 .M46 2008
    Extra OCLC: ocn179803230
    Library Catalog Library of Congress ISBN
    Abstract Provides information on the techniques and equipment necessary to take great digital photographs
    Short Title The moment it clicks
    # of Pages 256
    Date Added 8/25/2016, 5:13:16 PM
    Modified 8/25/2016, 5:13:16 PM

    Tags:

    • Digital cameras
    • Digital photography
    • Photography
    • Study and teaching
  • The Ongoing Moment

    Type Book
    Author Geoff Dyer
    Place Edinburgh
    Publisher Canongate Books
    ISBN 978-0-85786-401-7
    Date 2012
    Extra OCLC: 935820999
    Library Catalog Gemeinsamer Bibliotheksverbund ISBN
    Language eng
    # of Pages 380
    Date Added 8/25/2016, 2:45:26 PM
    Modified 8/25/2016, 2:50:11 PM

    Tags:

    • Fotografie
    • Geschichte
    • History
    • Photography
    • Photography History
    • Photography Themes, motives
    • United States
    • USA
  • The passionate photographer: ten steps toward becoming great

    Type Book
    Author Steve Simon
    Place Berkeley, CA
    Publisher New Riders
    ISBN 978-0-321-71989-8
    Date 2012
    Call Number TR146 .S532 2012
    Extra OCLC: ocn682896806
    Library Catalog Library of Congress ISBN
    Short Title The passionate photographer
    # of Pages 253
    Date Added 8/25/2016, 5:12:09 PM
    Modified 8/25/2016, 5:12:09 PM

    Tags:

    • Composition (Photography)
    • Digital techniques
    • Photography
    • Technique
  • The photographer's eye

    Type Book
    Author John Szarkowski
    Place New York
    Publisher Museum of Modern Art
    ISBN 978-0-87070-527-4
    Date 2007
    Call Number TR650 .S92 2007
    Library Catalog Library of Congress ISBN
    # of Pages 155
    Date Added 8/25/2016, 5:24:59 PM
    Modified 8/25/2016, 5:24:59 PM

    Tags:

    • Composition (Photography)
    • History
    • Photographs
    • Photography
    • Photography, Artistic
  • The photographer's eye: a graphic guide: instantly understand composition & design for better digital photos

    Type Book
    Author Michael Freeman
    Place New York
    Publisher Focal Press, an imprint of the Taylor & Francis Group
    ISBN 978-0-240-82426-0
    Date 2013
    Call Number TR267 .F754 2013
    Extra OCLC: ocn842364587
    Library Catalog Library of Congress ISBN
    Short Title The photographer's eye
    # of Pages 192
    Date Added 8/25/2016, 5:17:26 PM
    Modified 8/25/2016, 5:17:26 PM

    Tags:

    • Composition (Photography)
    • Digital techniques
    • Photography
    • Technique
  • The photographer's eye: composition and design for better digital photos

    Type Book
    Author Michael Freeman
    Place Boston
    Publisher Focal Press
    ISBN 978-0-240-80934-2
    Date 2007
    Extra OCLC: 145084918
    Library Catalog Open WorldCat
    Language English
    Abstract Presents instructions on traditional photographic composition and addresses the new techniques of digital photography that allow the image to be edited, manipulated, or montaged to produce a radically different final result.
    Short Title The photographer's eye
    Date Added 8/25/2016, 5:17:00 PM
    Modified 8/25/2016, 5:17:00 PM
  • The photographer's mind: creative thinking for better digital photos

    Type Book
    Author Michael Freeman
    Place Amsterdam; Boston
    Publisher Focal Press
    ISBN 978-0-240-81517-6
    Date 2011
    Extra OCLC: 671877603
    Library Catalog Open WorldCat
    Language English
    Abstract Explains "what makes a photograph great, and explore the ways that top photographers achieve this goal time and time again."--Back cover.
    Short Title The photographer's mind
    Date Added 8/25/2016, 5:17:54 PM
    Modified 8/25/2016, 5:17:54 PM
  • The photographer's story: the art of visual narrative

    Type Book
    Author Michael Freeman
    Place Burlington, MA
    Publisher Focal Press
    ISBN 978-0-240-81519-0
    Date 2012
    Extra OCLC: 816511795
    Library Catalog Open WorldCat
    Language English
    Abstract How a sequence of photos can be more than the sum of its parts. Todays photographers approach their craft in a multitude of ways, and with so many millions of people at it, theres a sizeable support group for every interest, from iPhoneography to expressive, humanitarian, or collaborative photography. Narrative is one such popular area, and there is a new interest in making coherent photo stories. Using Michaels own work, and that of many other great photographers, this unique book will show how classic photo stories are shot and edited, and give aspiring photojournalists and hobbyists alike a wealth of ideas to unlock the potential of their most powerful storytelling tool: their camera.
    Short Title The photographer's story
    Date Added 8/25/2016, 5:19:12 PM
    Modified 8/25/2016, 5:19:12 PM
  • The photographer's vision: understanding and appreciating great photography

    Type Book
    Author Michael Freeman
    Place Amsterdam; New York
    Publisher Focal Press
    ISBN 978-0-240-81518-3
    Date 2011
    Extra OCLC: 714729557
    Library Catalog Open WorldCat
    Language English
    Short Title The photographer's vision
    Date Added 8/25/2016, 5:18:41 PM
    Modified 8/25/2016, 5:18:41 PM
  • The photography book

    Type Book
    Editor Phaidon Press
    Place London
    Publisher Phaidon Press
    ISBN 978-0-7148-3634-8
    Date 1997
    Call Number TR650 .P493 1997
    Library Catalog Library of Congress ISBN
    # of Pages 512
    Date Added 8/25/2016, 5:39:31 PM
    Modified 8/25/2016, 5:39:31 PM

    Tags:

    • Photography, Artistic
  • The practice of contemplative photography: seeing the world with fresh eyes

    Type Book
    Author Andy Karr
    Author Michael Wood
    Edition 1st ed
    Place Boston
    Publisher Shambhala
    ISBN 978-1-59030-779-3
    Date 2011
    Call Number TR179 .K37 2011
    Library Catalog Library of Congress ISBN
    Short Title The practice of contemplative photography
    # of Pages 226
    Date Added 8/25/2016, 5:16:12 PM
    Modified 8/25/2016, 5:16:12 PM

    Tags:

    • Composition (Photography)
    • Photography
    • Photography, Artistic
    • Technique
  • The World Atlas of Street Photography

    Type Book
    Author Jackie Higgins
    Author Max Kozloff
    Place New Haven, CT
    Publisher Yale University Press
    ISBN 978-0-300-20716-3
    Date 2014
    Call Number TR659.8 .H54 2014
    Extra OCLC: ocn871788343
    Library Catalog Library of Congress ISBN
    Abstract The energetic, fluctuating pace of the metropolis has long lured photographers to capture--often candidly--the chaos, character, and incident of modern urban life ever since the genesis of photography in the 19th century. The World atlas of street photography focuses on the abundance of photos created on street corners internationally, including classic documentary street photography as well as mediated images of urban landscapes, staged performances, and sculpture. Twelve specially commissioned artworks are featured, in addition to a wide selection of striking and well-known images of city life. Lively and informative, this handsome book compiles expressions of a vibrant genre and is the first of its kind to scour the globe--from New York to New Delhi, Beijing to Brighton, Havana to Hamburg, and Sydney to Seoul. This magnificently illustrated compilation of more than 700 images presents over one hundred established and emerging contemporary photographers, including Nikki S. Lee, Lise Sarfati, Jeff Wall, Daido Moriyama, Alexey Titarenko, Christo and Jeanne-Claude, David Goldblatt, and Julio Bittencourt, among many others. The World atlas of street photography offers a peek through the lenses of photographers chronicling the fever, furor, and intimacy of urban life
    # of Pages 399
    Date Added 8/30/2016, 1:46:58 PM
    Modified 8/30/2016, 1:46:58 PM

    Tags:

    • Street photography
  • Under blue cup

    Type Book
    Author Rosalind E. Krauss
    Place Cambridge, MA
    Publisher MIT Press
    ISBN 978-0-262-01613-1
    Date 2011
    Call Number N71 .K717 2011
    Extra OCLC: ocn699378944
    Library Catalog Library of Congress ISBN
    # of Pages 142
    Date Added 8/25/2016, 2:40:52 PM
    Modified 8/25/2016, 2:40:52 PM

    Tags:

    • Art
    • Memory (Philosophy)
    • Psychology
  • Understanding a photograph

    Type Book
    Author John Berger
    Editor Geoff Dyer
    Edition First edition
    Place New York, NY
    Publisher Aperture
    ISBN 978-1-59711-256-7
    Date 2013
    Call Number TR187 .B467 2013
    Library Catalog Library of Congress ISBN
    # of Pages 173
    Date Added 8/30/2016, 1:40:51 PM
    Modified 8/30/2016, 1:41:00 PM

    Tags:

    • Photographers
    • Photographic criticism
    • Photography
    • Social aspects
  • Unseen Ansel Adams: photographs from the Fiat Lux Collection

    Type Book
    Author Ansel Adams
    Author Jason Weems
    Place San Diego, Calif
    Publisher Thunder Bay Press
    ISBN 978-1-60710-013-3
    Date 2010
    Extra OCLC: 707185719
    Library Catalog Gemeinsamer Bibliotheksverbund ISBN
    Language eng
    Abstract Showcases one hundred and eighty rare photographs of the artist's work for the University of California, including scenes of the campus, the L.A. freeway system, Santa Cruz's forests, and the Santa Barbara coastline
    Short Title Unseen Ansel Adams
    # of Pages 192
    Date Added 8/25/2016, 5:20:56 PM
    Modified 8/25/2016, 5:20:56 PM

    Tags:

    • Adams, Ansel
    • Artistic photography
    • Bildband
    • California
    • Fotografie
    • Landscape photography
    • Landschaft
    • Photography, Artistic
    • Schwarzweißfotografie
    • University of California (System)
  • Vision & voice: refining your vision in Adobe Photoshop lightroom

    Type Book
    Author David DuChemin
    Place Berkeley, CA
    Publisher New Riders
    ISBN 978-0-321-67009-0
    Date 2011
    Call Number TR267.5.A355 D83 2011
    Extra OCLC: ocn540143164
    Library Catalog Library of Congress ISBN
    Short Title Vision & voice
    # of Pages 257
    Date Added 8/25/2016, 5:14:48 PM
    Modified 8/25/2016, 5:14:48 PM

    Tags:

    • Adobe Photoshop lightroom
    • Developing and developers
    • Digital techniques Computer programs
    • Photography
  • Vivian Maier: street photographer

    Type Book
    Author Vivian Maier
    Author John Maloof
    Author Geoff Dyer
    Edition 1st ed
    Place Brooklyn, NY
    Publisher PowerHouse Books
    ISBN 978-1-57687-577-3
    Date 2011
    Call Number TR659.8 .M35 2011
    Extra OCLC: ocn751753013
    Library Catalog Library of Congress ISBN
    Abstract "A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers. Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide--from France to New York City to Chicago and dozens of other countries--and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America's post-war golden age. It wasn't until local historian John Maloof purchased a box of Maier's negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, 'Vivian Maier: Street Photographer' collects the best of her incredible, unseen body of work."--Publisher description
    Short Title Vivian Maier
    # of Pages 123
    Date Added 8/25/2016, 5:22:25 PM
    Modified 8/25/2016, 5:22:25 PM

    Tags:

    • Illinois Chicago
    • Maier, Vivian
    • New York (State) New York
    • Street life
    • Street photography
  • Walker Evans

    Type Book
    Author Walker Evans
    Author Maria Morris Hambourg
    Contributor Metropolitan Museum of Art (New York, N.Y.)
    Contributor San Francisco Museum of Modern Art
    Contributor Museum of Fine Arts, Houston
    Place New York
    Publisher Metropolitan Museum of Art in association with Princeton University Press, Princeton
    ISBN 978-0-87099-937-6 978-0-87099-938-3 978-0-691-05078-2
    Date 2000
    Call Number TR647 .E9 2000
    Library Catalog Library of Congress ISBN
    # of Pages 318
    Date Added 8/30/2016, 2:00:09 PM
    Modified 8/30/2016, 2:00:09 PM

    Tags:

    • Evans, Walker
    • Photography, Artistic
  • Ways of seeing: based on the BBC television series with John Berger

    Type Book
    Editor John Berger
    Edition Repr
    Place London
    Publisher British Broadcasting Corporation and Penguin Books
    ISBN 978-0-14-013515-2
    Date 1990
    Extra OCLC: 249411402
    Library Catalog Gemeinsamer Bibliotheksverbund ISBN
    Language eng
    Short Title Ways of seeing
    # of Pages 166
    Date Added 8/25/2016, 2:43:09 PM
    Modified 8/25/2016, 2:43:09 PM
  • Why fonts matter

    Type Book
    Author Sarah Hyndman
    Place London
    Publisher Virgin Books
    Date 2016
    Extra OCLC: 961287942
    Library Catalog Open WorldCat
    Language English
    Date Added 3/19/2017, 11:51:35 AM
    Modified 3/19/2017, 11:51:35 AM
  • Why photography matters

    Type Book
    Author Jerry L. Thompson
    Place Cambridge, Massachusetts ; London, England
    Publisher The MIT Press
    ISBN 978-0-262-01928-6
    Date 2013
    Call Number TR183 .T4753 2013
    Library Catalog Library of Congress ISBN
    # of Pages 92
    Date Added 8/30/2016, 1:40:22 PM
    Modified 8/30/2016, 1:40:22 PM

    Tags:

    • Philosophy
    • Photography
    • Psychological aspects
  • Winogrand: figments from the real world

    Type Book
    Author Garry Winogrand
    Author John Szarkowski
    Contributor Museum of Modern Art (New York, N.Y.)
    Series Springs Industries series on the art of photography
    Place New York, N.Y
    Publisher Museum of Modern Art : Distributed by New York Graphic Society
    ISBN 978-0-87070-640-0
    Date 1988
    Call Number TR647 .W56 1988
    Library Catalog Library of Congress ISBN
    Short Title Winogrand
    # of Pages 260
    Date Added 8/30/2016, 1:59:10 PM
    Modified 8/30/2016, 2:14:24 PM

    Tags:

    • Exhibitions
    • Photography, Artistic
    • Winogrand, Garry
  • Within the frame: the journey of photographic vision

    Type Book
    Author David DuChemin
    Place Berkeley, CA
    Publisher New Riders
    ISBN 978-0-321-60502-3
    Date 2009
    Call Number TR183 .D84 2009
    Library Catalog Library of Congress ISBN
    Short Title Within the frame
    # of Pages 254
    Date Added 8/25/2016, 5:14:03 PM
    Modified 8/25/2016, 5:14:03 PM

    Tags:

    • Moral and ethical aspects
    • Philosophy
    • Photography
    • Technique
    • Travel photography
  • ロバート・キャパ/Robert Capa

    Type Book
    Author Robert Capa
    Author 武 桐谷
    Place 大阪
    Publisher 創元社
    ISBN 978-4-422-70085-4
    Date 2011
    Extra OCLC: 762973956
    Library Catalog Open WorldCat
    Language Japanese
    Date Added 8/30/2016, 1:38:05 PM
    Modified 8/30/2016, 1:38:30 PM

2015-08-07

A Reflecton on "Photographs Not Taken"

I've been reading a thought provoking little book "Photographs Not Taken" edited by Will Steacy. Many book blurbs say this book is a collection of essays by photographers about failed attempts to make a picture. I concur with the description by the publisher however: "about moments that never became a picture". It's a big difference, that change in phrasing and I think the former denigrates Steacy original aim.

The essays are short, some just a few paragraphs. Others run to two or three pages. Some are lists, some are stream of consciousness, others are diary entries. Although some commentards disagree, I was struck by how articulate (in there own way) these photographers are; they who work by telling our stories visually. Each essay is a thoughtful reflection on the circumstances surrounding an event where the shutter was not released (or in some cases shouldn't have been released).

Several themes appear throughout the book behind why an image was not made:
  • Respect for the subject/moment
  • Looking back to youth when photography was not on their radar
  • Acts of violence (random or premeditated) that required other responses
  • A realization that the moment was not meant to be or could not be shared
And yet, for each moment "that never became an image" there is no regret, no "aw shucks", no "woulda, coulda, shoulda". Rather there is a restful acceptance that even though no physical image was made, the image and all of its emotions remain with the photographer for good or ill.

This book also provides an insight into how photographers think about photography, what it means to be a photographer and what a photographers responsibilities are.

Hetherington's description of the the flight from Monrovia with rebel forces is unnerving: you feel like an adrenalin junkie when he finally ends with:
"There isn’t much more to add, but I always remember that day and the feeling of being so empty — physically, mentally, and spiritually — that it  was impossible to make the photograph."
Doug Dubois lamenting his lack of courage to stop photographing his subject and hiding the resulting images in a box.

Chris Jordan gently remembering an image of a backyard barbeque that took on a mystical aura but was never made; now residing in a private exhibition in his mind to be visited at will.

Ed Kashi on how at the end of a shoot in Lahore happening on a horrific car wreck springing into action to help the injured, putting aside the urge to make an image.

I don't profess to have been in the same situations as the photographers in this book nor do I have the same breadth and depth of experience as they (let alone being in the same league). Perhaps like Lisa Kereszi the images I didn't make happened while I was young: those images in my memory of my extended family, those images I did make while the images I should have made were peering over my shoulder but in my youthful arrogance I ignored (and can no longer remember).

Now, approaching 60 (god that weirds me out) I am finally hitting my stride, learning to make the images that need to be made for me, by me as well as images that will not be made by me. Yes, like Ed Kashi says,
"Usually there are various ethical, personal, or tactical reasons for this decision."
I usually baulk when I can't do the subject justice or treat the subject with dignity that any subject is due. Having suffered from depression, I will not photograph the mentally ill or the outcasts unless somehow I can build a bridge with them and in someway tell their story. Anything else is just a cheap shot.

This book is a must read for anyone who thinks about what it means to be an honest photographer. This book is a reminder that to be a successful and dare I say mature photographer you have to be truly present and in the moment: even if that means not making an image.

"Photographs Not Taken" Edited by Will Steacy Published by Daylight Books ISBN 978-0983231615

2014-08-14

New on the Bookshelf


I love books about photography, books of photographs and books about photographers. Reading other photographers insights into the craft, criticism of the craft, deconstructing other photographers images all help me on this odd journey that I'm on. Unlike some photographers, I don't have GAS, I suffer from BAS!  In the past month or so lots of new books have arrived on my desk. I might comment on some of them more formally in the future. (The books with a * next to the title are in process of being read, the books with a # next to them have been read)

  • *"Road to Seeing" by Dan Winters. A massive book, wonderfully printed, chronicling the events in Winters' life that had an impact on how he views photography and his image making process.
  • #"Here Far Away" by Finn Thrane, Images by Pentti Sammallahti. I'm always on the look out for books by photographers of other nationalities. Again, a wonderfully printed book and Sammallahti are fascinating to study.
  • *"The Digital Print: Preparing Images in Lightroom and Photoshop for Printing" by Jeff Schewe. An excellent resource and I've learned an amazing amount already.
  • *"Why Photography Matters" by Jerry L. Thompson. A slim volume of less than 100 pages. It's one of the few books I started re-reading the day after I finished it. Commentary coming soon.
  • *"Believing is Seeing" by Errol Morris. Examines the back stories to photographs such as Fenton's "Cannonballs in Crimea" and examines the"received wisdom" regarding the photos.
  •  #"About Looking" by John Berger. Although I don't care for Berger's Marxist theory of criticism, at least he's honest about it and doesn't come across like a clever boots like Sontag.
  • #"Understanding a Photograph" by John Berger; Edited by Geoff Dyer. See above
  • #"Ways of Seeing" by John Berger. Neatly kicking Sir Kenneth Clarke's traditional view of European art in the groin, it's a companion book to his BBC series from early 70's. The series is up on YouTube and the book and series is worth a read/look. It's available at Amazon, I found my copy in a used book store.
  • "Camera Lucida" by Roland Barthes. I've been beating my head on this one for over a year. I will get through it one day, honest. Even if takes a bottle of Absinthe!
  • *"Aperture Magazine Anthology - The Minor White Years" Edited by Peter Bunnel. Interesting read to be sure. Looking back at the issues facing photographers in the 50s, they're not all that different from now in reality. The advent of relatively inexpensive high performance cameras where bringing a lot of amateurs into the professional ranks, undercutting them on price for portraits, weddings and the like. Sound familiar? Articles by some of the great photographers and photo editors of the time on composition, captioning, photo critique and the like are a very good resource and refresher.
My son went on an exchange program to Japan and brought me back these two jewels. Both are beautifully printed on heavy paper. If you can find them, they are a delight to look at.
  • "Ephemeral Dreams - Building 30 on Battleship Island" by Masashi Takahashi. Photos of an abandoned industrial island off the shore of Japan. The book takes images from 1972, just before the island was abandoned to images taken this year.
  • "Sleeping Beauty" by Shozo Maruta. Very interesting collection of images of old Japanese street cars rotting away.   
Once these are read, I'll be diving into the reading lists that MIT has provided with their photography course outlines.


2014-04-01

Whatever is She on About? Sontag "On Photography"

I first read about this book while exploring Geoff Dyer’s “The On-Going Moment” and put it, along with books by John Berger and Barthes, on my reading list. It's taken a long time to get to this point and writing this seems to have taken almost as long as reaing the book in the first place.

“On Photography” was first published in 1977 and is a collection of essays written between 1973 and 1977. In it, Sontag explores the force of photographic images which are continually inserted between experience and reality by artists, governments and people who want to sell you stuff. Sontag goes on to develop the concept of ‘transparency’: in a world where anything can be photographed, and photography has removed the standard definitions and boundaries of ‘art’ a viewer can approach a photograph freely without any preconceived notions of what it could mean or even having an expectation of discovering what it means.

I found this an incredibly frustrating book to read. A couple of times I threw it across the table with a: “Really? Really? WTF?”. I would go back and start again. At times I felt like an icebreaker in pack ice: going forward as far as I could, reversing and taking another run at the ice. As one reviewer said: “I'm giving it four stars not for the content itself, but for the quality of thinking I did while reading.” 

Frustrating is her umwelt wherein everything is politicized and the mere act of making an image is compared to a rape, an act of aggression or an act of acquisition. She selectively chooses to ignore the concept of “making” an image choosing instead to speak of “taking” and “shooting”; terms which are, unfortunately, very common in describing the act of pressing the shutter release. I’ve always viewed what I do as a much more gentle process, a totality: making an image is the whole process from seeing the potentiality of something you observe, exposing light sensitive material to the scene and finally developing and printing the resulting image.

Frustrating is her repeated (and tiresome) assertion that consumerism and capitalism requires photography to drive consumer demand. Songtag ignores the fact that the driving of consumer demand through advertising worked quite well with the idealised illustrations you would see on billboards and in magazines and newspapers of an earlier age. Not mentioned at all is the use of photographs in fascist and communist propaganda; these regimes where adept at using photographs to “drive demand” for their particular brand of political philosophy. I’m not even going to comment that it was consumerism that allowed these essays to get published in the first place.

Frustrating is her detestation of the surrealists dismissing them as gadflys and calling them militants. Dali, militant? Off the wall perhaps, but hardly militant. This was one of the times when the book flew across the table, not that I’m an overt fan of the surrealist movement but as a school of thought and art it is worthy of consideration. I find Liebowitz’ portraits as surreal as any work by Dali or Magritte but hey, what do I know. Perhaps some young art student cornered her at a salon. Who knows.

Frustrating are her vehement criticisms of the entire activity of photography, never once pointing out an instance where the creation of an image (in my definition) is a worthwhile pursuit. Trotting out the usual "it's a mechanical process and your're separated from reality by the viewfinder" doesn't wash for me. The act of writing, be it with pen or typewriter is a mechanical process and you are separated from reality by the paper and your mind.

But man, when she nails it, she nails it.

She nails it when she pillories photographic apologists who drone on and on to justify their existence as ‘artists’. This battle, as Berger and Dyer have written, was over a long time ago. Like Toto, she pulls at the curtain exposing the great Oz. I have read too many ‘artist’s statements’ that make my head spin. They seem to be written to a) show how erudite they are, b) appeal to some grant issuing arts council, and/or c) buffalo the ‘arts patron’ in attempt to mystify what is essentially a democratic art form and she calls them on it.

She nails it when she talks about the democratization of photography and how people (dare I say the masses) use it to construct and remember their reality. She actually presages the rise of the selfie and the endless streams of images showing what a person is having for dinner on any number of social network sites. She makes the point that we are relying on images as a proof of reality, the catchphrase and the resulting meme: ‘Pictures or it didn’t happen’ is unfortunate proof of that. At UCLA, the collection of her papers shows a correspondence with Philip K. Dick and I wonder if this is along the lines of “We remember it for you, wholesale”.

The democratization of photography and its impact on the profession and its artistry is not really a new idea. It was already a recurring theme in the ‘50s in the pages of Aperture. If you read “Aperture, The Minor White Years” you’ll see what I mean. Berger notes that once an art form has been democratized, the art establishment or those with the most to lose, will mystify and mythologize the art form in an endeavour to maintain a grasp over it. They create an entire set of incantations and rituals, not unlike a priesthood controlling access to the god viewing those who practice rite or beliefs in their own ways as apostate.

She nails it when she bemoans (in the ‘70s aready!) the “rancorous suspicion in America of whatever seems literary, not to mention a growing reluctance … to read anything,…”

She nails it when she talks about the sloppy, the ill-disciplined: the anti-photograph. Even though she is no fan of photography, what comes through loud and clear is something like this: 
“Look, if you’re going to this, even though I think it's a load of dingos' kidneys, at least do it right. Slapdash is slapdash and you can’t wrap it up with some vapid second rate artist’s statement and pass it off as art.

She nails it when she talks about photographers returning to simpler technology, eschewing the latest and going back to a beloved camera and lens that they first used in an effort to connect to the craft of photography. We see that trend today, me included. I gave up the all singing, all dancing DSLR and now, although still digital, shoot with a rangefinder. Yes, I still have an autofocus mirrorless digital camera but I use it like I use my rangefinder. I won’t go back to film as I don’t like the stink. I was glad to give up the darkroom for the screen.

Sontag refers to the camera as an “instrument of fast seeing”. The gearhead cult of faster and faster, more and more resolution is being questioned. There is an urge to go back to a more artisanal way, a more contemplative, hand wrought image, an image that had an aura and the imprimatur of the photographer. In fact she references HCB as saying it’s almost too fast now.

In the end, you have to read this book. Love it or loathe it, it will make you think. You have to consider it within the time period that it was written, Watergate, the end of the Vietnam war, global recession and 2nd wave feminism. At times it appears contentious for its own sake, other times you feel written into a corner, presented with a fait acomplii, with no room for further argument. The writing is sophisticated and you can be seduced by “fine well-articulated prose which uses its own music to trick the reader into believing the message” in the words of one reviewer.

Berger in his television series “Ways of Seeing” and in the accompanying book is, to my mind much more honest. Rather than saying:
“I am a very clever man. Here is my ideological construct. I’m much more clever than you so take it as read that I’m right”
he says, (several times in fact):
“This a theory that seems to work for me and explain several things that I have been thinking about. Take these ideas and think about them, accept them or reject them, it’s your choice.”

So, where does this leave me, a non-art student wandering around like a ronin trying to understand his chosen art form? I think it has moved me along a bit on my ronin road.

I’m just a guy who makes images of the world as he sees it, trying to make sense of it, his place in it and maybe use images to tell a story or two. This school or that school, this genre or that genre, colour or black and white, film or digital, this political stance or that one, paper or plastic; it really doesn’t amount to anything in the long run. I’ll just keep trying to share a story, an experience with you and maybe learn a bit about you, me and the world.

I’ll get to Edo yet.