Showing posts with label Working Stiffs. Show all posts
Showing posts with label Working Stiffs. Show all posts

2017-06-14

Working Stiffs: The Book

Well, this embarrassing. I opened up my text editor and found the following article. What with one thing and another happening around the maison, I forgot to post the following announcement.

I’m pleased to announce the publication of my latest photobook, “Working Stiffs: The People”. This is a collection of images is dedicated to the men and women who get things done.

You know, the ones who deliver the beer, make sure the traffic flows, make sure that the lads don’t get out of control. The ones who build our buildings, clean our streets and catch our fish — the overlooked, the unseen, the ignored, the spoken down to — are the ones without whom our urban world would quickly grind to a halt.

I started on this project about a year ago and after some twists and turns prints have been pulled and a book published. You can go have a look at the book by following the link in the sidebar (and buy one).

I learned a lot of technical "stuff" over the course of the year. Things like:

  • "Windex cures more than arthritis and tennis elbow" It's true! Best print head cleaner ever! Remove the print head, soak in about 1/8" of Windex for 24 hours, wipe with distilled water (the real stuff, not just Brita filtered) and your're good to go.
  • Monitors are too bright; turn them down to 80% (at least) and then calibrate. This gives you a fighting chance pulling a print that comes close in luminance to what is printed. To get even closer (at least for black and white prints) order the calibration print from Ilford Labs, download the the calibration file and tweek the monitor so the file and the print match.
  • Paper makes the difference. When I started printing, I softproofed in Lightroom and printed on some off the shelf Canon Super Glossy II paper. The result where OK but not what I remembered when I was printing in the darkroom all those years ago. I settled on Moab Juniper Baryta paper and the results where stellar. It was like looking at the Ilfobrom Type 3 resin coated paper I cut my teeth on all those years ago.
  • Keep the book layout simple. I decided on a minimalist layout. The hard bit was deciding on a typeface that was reflected the subject matter and wasn't a distraction to the image. I ended up deciding on the DINPro typeface in varying weights.
  • Blurb's software doesn't recognize OpenType fonts: I needed to change my OpenType fonts to TrueType. Come on Blurb, that should be a no brainer.
  • NIK Silver Efex is still the best Black and White tool out there. Franzis BW Projects 5 is getting close and I like some of the effects. I'm going to work with it a lot more. I wish Google would just opensource NIK and be done with it. The world doesn't need more abandonware.
  • Run a checklist. Being solo means no external eyes to do QA or QC, make sure you're exporting files properly, proofread, spell check and provide feedback on layouts, sequencing and all the million things that go into an enterprise like this.

Be ready for the unexpected turn. In doing the photo selection, I discovered I had another project at about the same state as when I started this one: "Working Stiffs: Tools of the Trade" Given the speed I work at this should be ready this time next year.

Some photographers are of the school that holds "A photograph isn't exist until it's printed". I have to agree with that. There's an intense satisfaction in seeing the image emerge from whatever process you use.

The Working Stiffs galleries are here.

2016-04-22

Working Stiffs

It's been a while since I've written anything about, let done anything with a backlog of images dating to summer of last year.

First some background. My day job was (note the use of the word was) working as a flight coordinator for a charter airline. The airline flew oil company personnel to and from work sites in Northern Alberta and British Columbia. With the current geopolitical situation driving oil prices to below the costs of production (let's face it, the Western Sedimentary Basin and the Oil Sands are not low cost production environments) the flying started to slow down and my shift switched from a four on, four off rotation to three days on the weekends. All well and good. I had to do something productive with my time so I took in upon myself to write a boat load of software (something I did in a previous life, back when dinosaurs ruled and Borland was still a real company) for the OCC to streamline our operations, revamp the operations handbook and develop a series of online courses. Oddly enough this kinda sapped any creative juices I had left and I only photographed in fits and starts.

Well, as you can surmise, the flying kept going down and I got laid off about two weeks ago. No big deal, shit happens. I'll just re-invent myself, again (even though it is getting a litle stale, this re-inventing business, it being the third or fourth time; I've lost count).

Wouldn't you know it, I was able to return to the backlog and there, the creative juices started to flow. I noticed that I had a quite a few images of the working man, the guy that BTO sang about in opening verse "Takin' Care of Business". You know the ones: the ones who deliver the beer, make sure the traffic flows, make sure that the lads don't get out of control. The ones who build our buildings, clean our streets, catch our fish. I went back to some off my older images, and found a seam of hard working souls that had gone unrecognized.

I'll be adding to this collection and what is in the post gallery will change over time as images get added and deleted as the concept unfold.

After the parade, the sweeper comes always comes out. It's a tiresome job and it never seems to end.
Sweeper
New York cops, like the boys from Joisey have a natural knack for hanging out. These guys in Times Square on a hot and very muggy evening were watching the usual goings on with a sense of ennui that only comes from having seen it all night after night after night.
Another Night at Times Square
Steveston Docks is where you can buy fresh fish in Vancouver, right off the boat. It was one of those cold, damp, foggy days; the Scots would call it dreich. This fisherman kept warm by a space heater at his feet and bundled up in a parka was selling this morning's catch of spotted shrimp
Shrimp on Ice
Calgary has its dreich days as well, usually in early March when the rain is mixed with wet snow. This delivery driver is loading up in Chinatown with beef from a hole in the wall butcher shop.
Beef
Finally, this old timer was photographed in Nobleford, Alberta. He's retired, but had worked as a rig hand across the Prairies and from north of the Arctic Circle down to the Middle East. We spent a pleasant while yarning about the patch (I've worked the rigs too) and I was able to make this image.
Rig Hand
So here's to all those folks: the ones who make sure things get done. 

You can view the project here.